a visit with jesus

 Bible Art

The Crucifixion
Artist: Paolo Veneziano
 c. 1340-1345    Tempera (on wood)

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Originally, this painting had an arched top, the contour of which can still be traced in the different appearance of the gilding, which shows that the corners were added much later to transform the panel into a rectangle. Changes like this underscore the fact that early Italian paintings were experienced very differently by their contemporaries than by today’s museum-goers, who are accustomed to single, usually rectangular, paintings hanging by themselves on pristine walls. When artists made these works hundreds of years ago, most were part of altarpieces, and their gold surfaces would have been seen in the flicker of candlelight. Given its shape and small size (some 15 inches high), this panel was probably centered at the top of a triptych.

The Crucifixion
Artist: Juan de Flandes
 1509 - 1519    Painting

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In his depiction of the historic image of the Crucifixion on the central panel of Palencia Cathedral’s main altarpiece, Juan de Flandes chose the iconographic type that Réau calls de grand spectacle, which was appropriate for the panel’s large dimensions and horizontal format, and undoubtedly the one preferred by the painter’s client. Here, he reduced that type to its essential elements, a customary approach for this Flemish painter, and one that is even more accentuated in this work from late in his career, where the large size of the figures requires including less of them in the composition.