a visit with jesus

 Bible Art

The Meeting at the Golden Gate
Artist: Giotto
 1304-06    Painting

 See Details

Many of the episodes depicted within Padua’s Capella degli Scrovegni (Arena Chapel) fresco cycle hinge upon a moment of heightened emotional tension, either given in the context of some form of a departure or entailing some form of encounter or meeting. The Meeting at the Golden Gate, which forms the last episode in the top register on the south wall, is an example of the latter.

What Giotto manages to achieve is to imbue the scene with a sense of truthfulness and intimacy. Immediately prior to this moving meeting between Joachim and his wife Anna, Joachim, while sleeping, receives a vision from an angel who tells him that his wife had conceived a daughter, Mary. That particular episode, The Vision of Joachim, is depicted immediately prior to The Meeting. Joachim is then told to go and meet his wife at the Golden Gate of Jerusalem.

The Miracle at Cana
Artist: Wilhelm Borremans
 1717    Painting

 See Details

 Read Story

The wedding at Cana is the name of the story in the Gospel of John at which the first miracle attributed to Jesus takes place. In the Gospel account, Jesus, his mother and his disciples are invited to a wedding at Cana in Galilee. When his mother notices that the wine has run out, Jesus delivers a sign of his divinity by turning water into wine at her request.  The account is taken as evidence of Jesus' approval of marriage and earthly celebrations.

Borremans painted this ceiling fresco for the Church of Santa Maria dell'Ammiraglio ("The Martorana"), in Palermo, Sicily.  The Cana Miracle (Jesus turns water into wine) has been favored in Christian art from the earliest times. In the 4th century it was depicted on many sarcophagi, and it was a common subject in medieval and Renaissance art.

The ceiling fresco adopts a more modest version of the di sotto in su style popular at the time in larger Italian churches. The device allows the artist two points of emphasis. Jesus' gesture to the jars dramatically "below" is one, and the bride placed at the exact center of the composition is the other. 

 Select Pages

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177  178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212