The symbol of Christ on the cross has infiltrated culture in innumerable ways, and depictions have become ubiquitous. There is no other subject matter that better reflects the historical progression of artistic expression. This is fitting, as there is no other event that has had comparable effect on all aspects of human history.
"The Crucifixion"
Artist: Cimabue
1270
Painting
One of Cimabue's earliest works, this large size crucifix was commissioned by the Dominican order for the Basilica of San Domenico in Arezzo. It depicts Christ on the cross at the height of his suffering and in the throes of death. Christ's body is contorted and slumped turning to the left, his eyes are nearly closed, and his brow is furrowed, conveying to the viewer the agony of his crucifixion.
this work is Tempera and gold on wood and is in the Basilica of San Domenico, Arezzo
"The Flagellation of Christ"
Artist: Cimabue
1280
Painting
This panel depicts one of the key moments of the Passion. Prior to being condemned to death by crucifixion, Christ was tied to a column and whipped by Roman soldiers. While Christ and his punishers occupy the foreground, the background is dominated by gold (reflecting his Byzantine heritage), with the two towers representing the architecture of ancient Jerusalem. The placement of the figures and the architectural elements demonstrate Cimabue's experimentation with illusionistic spatial effects, even if he would never fully master creating the full illusion of perspective.
This tempera on poplar panel is the only work by Cimabue in a public collection in the United States. It was purchased for the Frick collection in 1950.
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