The symbol of Christ on the cross has infiltrated culture in innumerable ways, and depictions have become ubiquitous. There is no other subject matter that better reflects the historical progression of artistic expression. This is fitting, as there is no other event that has had comparable effect on all aspects of human history.
"The Body of the Dead Christ in the Tomb"
Artist: Hans Holbein the Younger
1521
Painting
In this panel, Holbein has created a life-size image of Christ, lying in his tomb. The greenish hue to the skin, in particular around the wounds on the hand, feet and torso, as well as on his face suggest the putrefaction of flesh and results in an almost grotesque image. Rather than creating a sense of calm or peace, the mouth and eyes are shown wide open, so that the pain endured on the cross seems to continue into the tomb. These elements emphasize Christ's humanity over his divine status and this is compounded by the unnaturally stretched and emaciated body being confined in an uncomfortably narrow space, imbuing it with an uneasy claustrophobia.
This oil and tempera painting on lime wood is in the Öffentliche Kunstsammlung, Basel, Switzerland
"Christ Carrying the Cross"
Artist: Matthias Grünewald
1523-24
Painting
Christ slumps on his knees in the centre of this composition. He has collapsed while carrying the heavy cross on the way to his own Crucifixion. He gazes upwards in exasperation. His back is dramatically and angularly arched, thus evoking a sense of discomfort, pain, and suffering. Christ is surrounded on both sides by armed henchmen that taunt and mock him. A man to Christ’s left tugs aggressively on his drapery, forcing him to continue his journey. A crouching figure on the right stares hostilely at Christ. The background of the painting is composed of medieval architecture that represents the city of Jerusalem. The ledge of the loggia bears an inscription from The Book of Isaiah.
this oi on wood painting is housed in the Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany
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