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LYRICS:
He's coming on the clouds
Kings and kingdoms will bow down
And every chain will break, as broken hearts declare His praise
Who can stop the Lord Almighty

Our God is the Lion, the Lion of Judah
He's roaring with power and fighting our battles
And every knee will bow before You
Our God is the Lamb, the Lamb that was slain
For the sin of the world
His blood breaks the chains
And every knee will bow before the Lion and the Lamb
Oh, every knee will bow before the Lion and the Lamb

Oh oh oh
Oh oh oh oh oh

So open up the gates
Make way before the King of kings
Our God who calls to save, is here to set the captives free
Who can stop the Lord Almighty

Our God is the Lion, the Lion of Judah
He's roaring with power and fighting our battles
And every knee will bow before You
Our God is the Lamb, the Lamb that was slain
For the sin of the world
His blood breaks the chains
And every knee will bow before the Lion and the Lamb
Oh, every knee will bow before the Lion and the Lamb

Oh oh oh
Oh oh oh oh oh

Who can stop the Lord Almighty
Who can stop the Lord Almighty
Who can stop the Lord Almighty
Who can stop the Lord Almighty
Oh, who can stop the Lord Almighty
Who can stop the Lord Almighty
Oh, who can stop the Lord Almighty
Who can stop the Lord

Our God is the Lion, the Lion of Judah
He's roaring with power and fighting our battles
And every knee will bow before You
Our God is the Lamb, the Lamb that was slain
For the sin of the world
His blood breaks the chains
And every knee will bow before the Lion and the Lamb
Oh every knee will bow before the Lion and the Lamb

Oh oh oh
Oh oh oh oh oh
And every knee will bow before the Lion and the Lamb
Oh oh oh
Oh oh oh oh oh
Every knee will bow before the Lion and the Lamb

LYRICS:
There's a church in the valley by the wildwood
No lovelier place in the dale
No place is so dear to my childhood
As the little brown church in the vale

(Oh, come, come, come, come) Come to the church by the wildwood
Oh, come to the church in the dale
No spot is so dear to my childhood
As the little brown church in the dale

How sweet on a clear Sabbath morning
To listen to the clear ringing bell
Its tones so sweetly are calling
Oh come to the church in the vale

(Oh, come, come, come, come) Come to the church by the wildwood
Oh, come to the church in the dale
No spot is so dear to my childhood
As the little brown church in the dale

First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus's mother, Mary, recalling, "I played my best for him" and "He smiled at me". Despite the song's popularity, the story of the drummer boy is not biblically accurate.

"The Little Drummer Boy" (originally known as "Carol of the Drum") is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941. First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus's mother, Mary, recalling, "I played my best for him" and "He smiled at me". Despite the song's popularity, the story of the drummer boy is not biblically accurate.

"The Little Drummer Boy" (originally known as "Carol of the Drum") is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941. First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus's mother, Mary, recalling, "I played my best for him" and "He smiled at me". Despite the song's popularity, the story of the drummer boy is not biblically accurate.

LYRICS
And we live in a crowded world where many feel alone
But if we keep an open heart and let our weakness show
Together we can be a force and everyone will know

That we are the ones who choose to hold on when hell breaks lose
Yeah, we are the hearts surviving the dark, the living proof
That God is alive and he’s moving

And we have made a mess of love, we have the scars to show
In every mark a story of its own
How in our weakness God is strong so all the world will know

That we are the ones who choose to hold on when hell breaks loose
Yeah, we are the hearts surviving the dark, the living proof
That God is alive and he’s moving, and he’s moving

And we are the weak and the broken in the story
Oh, made to be healed for his glory
And we are the weak and the broken in the story
Oh, made to be healed for his glory
Yeah we are the weak and the broken in the story
Oh, we were made to be healed for his glory

And we are the ones who choose to hold on when hell breaks loose
Yeah, we are the hearts surviving the dark, the living proof

The Long Day Closes is a part song with lyrics by Henry Fothergill Chorley and music by Arthur Sullivan, published in 1868. A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non-liturgical sacred text, written or arranged for several vocal parts.
This song is one of seven part songs that Sullivan published that year, and it became Sullivan's best-known part song. Sullivan wrote most of his twenty part songs prior to the beginning of his long collaboration with W. S. Gilbert.
With the growth of choral societies during the Victorian era, part songs became popular in Britain (as they had earlier in Germany and elsewhere). The term "part song" is used here to mean a song written for several vocal parts, usually with the highest part carrying the melody and the other voices supplying accompanying harmonies, rather than one which is contrapuntal like a madrigal. Part songs are often sung unaccompanied.
The plaintive harmonies of "The Long Day Closes" and the text's touching meditation on death have made the song a frequent selection at events of mourning, and in particular it was often sung at funerals .
LYRICS:
No star is o'er the lake,
Its pale watch keeping,
The moon is half awake,
Through grey mist creeping,
The last red leaves fall round
The porch of roses,
The clock hath ceased to sound,
The long day closes.

Sit by the silent hearth
In calm endeavour,
To count the sounds of mirth,
Now dumb for ever.
Heed not how hope believes
And fate disposes:
Shadow is round the eaves,
The long day closes.

The lighted windows dim
Are fading slowly.
The fire that was so trim
Now quivers lowly.

Go to the dreamless bed
Where grief reposes;
Thy book of toil is read,
The long day closes, etc.

The words of “The LORD Bless You and Keep You’ come entirely from Numbers 6:24-26 (RSV), well known as the priestly blessing and the Aaronic benediction. Martin Bucer and John Calvin introduced the Aaronic blessing to Reformed worship after the example set by Martin Luther's Formula Missae ("Formula of the Mass," 1523).

LYRICS:
I need you Lord; in all I do.
You're always there to see me through.
I can't get by unless I lean on you, Lord.

The Lord has a will,
And I have a need
To follow that will,
To humbly be still,
To rest in it,
Nest in it,
Fully be blessed in it,
Following my Father's will.

Your love, Lord, is in my heart.
You wrote it there; it won't depart.
It lights my way and keeps me out of the dark.

The Lord has a will,
And I have a need
To follow that will,
To humbly be still,
To rest in it,
Nest in it,
Fully be blessed in it,
Following my Father's will.

I thank you, Lord, Your Word is sown
Into my life, and there it's grown;
It's roots go deep where living waters are known.

The Lord has a will,
And I have a need
To follow that will,
To humbly be still,
To rest in it,
Nest in it,
Fully be blessed in it,
Following my Father's will.

The Lord has a will,
And I have a need
To follow that will,
To humbly be still,
To rest in it,
Nest in it,
Fully be blessed in it,
Following my Father's will.

To rest in it,
Nest in it,
Fully be blessed in it,
Following my Father's will.

LYRICS:
[Verse 1]
Look at the flowers in all of their beauty
I don't have to wonder, You know what You're doing
Yes, that's right
So why would I worry at all 'cause You're faithful to supply?
Let's just declare this together

[Chorus]
Sing, everything I need
Everything I need
My Father has it
My Father has it
And every single time
The Lord will provide, that's right
My Father has it
Yes, my Father has it, yes
Yes, He does
Oh, my Father has it
Yes, I trust You

[Verse 2]
And look at the sparrow lacking for nothing
No fear of tomorrow and what it will bring
Oh, You are enough
If I have You, I have enough 'cause Your love will satisfy
Come on every voice, everything I
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[Chorus]
Yes, Everything I need, yeah
Everything I need
I know my Father has it
Oh, my Father has it
Put confidence in
Every single time
The Lord will provide
I know my Father has it
Yes, my Father has it, yes
Oh, my Father has it
Yes, I trust my Father

[Bridge]
So seek first the kingdom and its treasures
Everything else, it will be added
All that I'm needing, that's it
Yes, I know the Lord will provide
Oh, I'm confident 'cause I know my God's not empty handed
'Cause He gives us blessings upon blessings
And I'm still believing
I know that, I know the Lord will provide
So seek first the kingdom
So seek first the kingdom and its treasures
And everything else, it will be added
All that I'm needing
Every promise, oh, I know the Lord will provide
And I know my God's not
And I know my God's not empty handed
Hey, 'cause He gives us blessings upon blessings, thank You Jesus
And I'm still believing
Yes, that I know the Lord will provide
Yes, sing everything I need
[Chorus]
Everything I need, yeah
Everything I need
I know my Father has it (Oh, I'm confident)
My Father has it ('Cause my Father has it)
Every single time (The Lord will provide)
The Lord will provide ('Cause my Father has it)
My Father has it (My Father has it)
My Father has it (Sing, everything I need)

Everything I need
Everything I need
Oh, my Father has it
My Father has it
Every single time
The Lord will provide (I know)
My Father has it
My Father has it (Hey, so seek first)

[Bridge]
Seek first the kingdom and its treasures
And everything else, it will be added (Yes, I'm believing)
All that I'm needing (I know the Lord will provide)
I know the Lord will provide (Thank You, Jesus, oh, and I know my God's not)
I know my God's not empty handed
'Cause He gives us blessings upon blessings
I'm still believing
Oh, I know the Lord will provide (Yes)
I know the Lord will provide (I know, I know it)
I know the Lord will provide

"The Lord's Prayer" is a musical setting of the biblical Lord's Prayer, composed by Albert Hay Malotte in 1935, and recorded by many notable singers

lbert Hay Malotte (May 19, 1895 – November 16, 1964) was an American pianist, organist, composer and educator, best known setting The Lord's Prayer to music. He was a boy scout and a choir boy. He studied with Victor Herbert, W. S. Stansfield, and later in Paris with organist Georges Jacob. His career as an organist began in Chicago where he played for silent pictures, and he later concertized throughout the US and Europe.
During World War II he held the rank of captain in the Special Services for two years while he toured with the USO and entertained troops in New Guinea, Australia and Europe. At one point he sponsored his own troupe of entertainers that included Judith Anderson, Anne Triola and Helen McClure Preister. Malotte was an amateur pilot, avid golfer and even boxed with Jack Dempsey in Memphis, Tennessee. He spent most of his career as a composer in Hollywood.
Malotte composed a number of other religious pieces, including settings of the Beatitudes and of the Twenty-third Psalm which have also remained popular as solos.
Matthew 6:9 is the ninth verse of the sixth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount. This verse is the opening of the Lord's Prayer, one of the best known parts of the entire New Testament. In the King James Version of the Bible the text reads:

After this manner therefore pray ye: Our Father
who art in heaven, Hallowed be thy name.