Judgement Day for the Turin Shroud
Author: Walter McCrone
"In nearly 350 pages with 11 color plates and 68 figures, Dr. McCrone covers the details of Shroud research since 1969. He emphasizes the work he did, contrasts it with the STURP approach, and details the reaction of the Catholic Church through his long correspondence with Father Peter Rinaldi in Turin. Dr. McCrone's conclusion, in a nutshell, is that the "Shroud" is a beautiful painting consisting only of red ochre, vermillion and collagen tempera applied by a talented artist in 1355. There is no blood on the "Shroud"."
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