"The Angels Hovering Over the Body of Christ in the Sepulchre"

Though Blake's alteration of the details of the Gospel story are minor, they express his unorthodox, irreverently creative approach to faith and scripture. His depiction of the angels, for example, is said to be inspired by a passage from the Old Testament's Book of Exodus: "the cherubims shall stretch forth their wings on high... and their faces shall look one to another". The angelic forms also seem to allude to the wings which Blake claimed to have seen appearing on trees and stars as a child. As such, the image is testament to his belief in the central role of individual imagination in the interpretation of faith. In compositional terms, the darkness of the sepulchre, and the delicate whites and yellows of the aureoles around the angels' heads, give the painting an almost monochromatic quality, while the symmetry of the composition grants it a visual harmony in keeping with its spiritual significance. 

In his imaginative adaptations of Biblical and religious scenes, Blake not only responded to a tradition of religious paintings extending back to the Renaissance, but also predicted the post-Romantic, imaginative adaptation of religious iconography in the paintings of the Pre-Raphaelites, Symbolists, and other proto-modernist movements. As such, the vision expressed in works such as The Angels is both historically aware and subtly radical.