In this earlier version we see the influence of Pontormo's master Andrea del Sarto, in the solidity of the figures, the simplicity of their gestures, and the variety of poses. Pontormo also follows the Roman-Catholic Renaissance tradition of depicting Elizabeth bowing in reverence to Mary.
This work shows the moment when St. Elizabeth (pregnant with John the Baptist) visits the Virgin Mary (pregnant with Jesus) thus symbolizing the future importance of the relationship between the two unborn children. This early painting is in fact one of two Visitation scenes Pontormo painted, the second completed a little over a decade later. Comparison between the two works demonstrate the significant shift made by Pontormo from Renaissance modes of representation toward Mannerism.
This fresco is in the Fresco -Basilica della Santissima Annunziata, Florence